Churchill Fellowship-ish

In truth my return has been a bit bumpy. I was so chuffed with how well I had managed while I was away, it was a bit of a shock to find myself so tired I could hardly function at all, and it has taken a good fortnight to start punching my way through. It has been incredibly frustrating.

I was also welcomed home by a laptop that wouldn’t work – a cracked motherboard, apparently. I tried to tell myself I would manage with just an iPad but it soon became clear that was nonsense. I am going to unashamedly do a shout out for the extremely lovely and talented jeweller Catherine Woodall, who had a laptop she wasn’t using, and has quite frankly got me out of a massive hole. It was quite a thing to realise that when such things happen, one is not alone.

All this does not mean I have done nothing, although *ahem* I am yet to fully unpack. When I started my PhD someone told me to start writing it from the get-go rather than waiting to the end, some of the best advice I ever received, and I have done the same here and have written up my notes, slowly building up my report. I’ve also started sorting through my images, no mean feat as there are thousands of them.

As for weaving, it had been my intention to take my time. I was only half way through my Fellowship after all, there was lots more to see. But by the time the first week was out I was working on a cartoon for a new full-sized tapestry, which I am hoping may be ready for the Saltaire Arts Trail in May, but certainly for Art in the Pen in August.

I’ve also started on some technical studies, like piano scales, experimenting with the techniques I have seen (above). This has included a finer sett and using some dovetailing and cut backs, and weaving over a single warp, which had always turned out rather pants before. The key was to hold back, stop with the gimmicks and just let the warp and weft do their job. Ironically the result has been far more control, something I always lacked before, and I do feel the world is now my weaving and drawing oyster. I might now be able to weave what I draw, instead of drawing what I can weave. This is a massive step and the implications are vast and very, very exciting. This is a very different style of weaving for me, but I love it, and I never saw it coming. It has been interesting to compare this piece with the failure I did after seeing the medieval wall paintings at Pickering – they go to show how much this Fellowship has already pushed me and the importance of seeing the tapestries in the flesh.

I had hoped to go back to Europe before I head off to New York at the end of the month, but my brain has been cheese and I haven’t trusted myself to put it together, but plans for New York are well under way and the Met museum have been fabulous and I cannot wait.

I am going to make myself some very strong coffee and attempt to catch up with my inbox, but hope to spend some time this afternoon with my sketchbook and some pie. Ttfn xxx

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